Wonder arises from the aesthetics of the grotesque—deformation, carnival exaggeration, the weird—as a form of resistance against dominant powers. Its shape overtly evokes the female reproductive system, an organ historically misused for manipulation, misappropriation, and abuse. Throughout time, it's been the battleground for false ideas about women, particularly the myth of the “wandering womb” and its link to “female hysteria”. In its exaggerated form, Wonder brings the womb forward, nearly to the face, demanding we challenge the beliefs that have dictated women's social roles.
Using wool as its primary medium evokes the domestic crafts once considered the only “acceptable” art for women. The effects of being patronised and marginalized are concrete and lasting. By bringing focus to flesh and form, Wonder invites reflection on autonomy and embodiment, and the power of saying: My body, my choice.