Tuss' work is characterized by a subtle yet powerful dialogue between cartographic references and natural forms. Her aesthetic, rather than purely academic, evokes contemplation of the natural world through the use of geometric shapes such as triangles and circles, drawn from forest map legends. Monochrome surfaces, a nod to modernist abstraction, are a signature of her compositions, often referencing the contemplative experience of nature and the inadequate management of forest resources.
Central to Tuss' artistic practice is the critique of the Peruvian state's response to the demands of a country where 70% of the territory is forest. By incorporating scientific instruments and textual data from tree catalogues into her pieces, she highlights the neglect and mismanagement of the country's vast natural resources, urging reflection and dialogue on conservation and sustainable use.